Fiddle & Piano & Stepdancing
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Instructors For Week 1 - June 30th - July 4th 2008 |
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Jerry Holland
Jerry Holland is a fiddler strongly
rooted in Cape Breton, Scottish and
Irish dance music traditions. An
active performer and recording
artist, many of his own tunes have
entered the traditional repertoire
around the world. His tunes, books
and recordings have remained
influential wherever Celtic music is
played. He has taken his music to
many parts of the world. Those
places include Denmark, Sweden,
Norway, Ireland, Scotland, Finland,
Germany, Mexico, England, France,
USA, Nova Scotia, Newfoundland,
British Columbia, Saskatchewan, PEI,
New Brunswick, Quebec, Alberta,
Ontario and NWT. Jerry has devoted
his energies to the music life of
Cape Breton Island. He is an
emotional performer; his concerts
and recordings are always memorable.
We are thrilled to welcome Jerry
back to the Ceilidh Trail School of
Music!
www.jerryholland.com
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Kimberley Fraser
Kimberley, a 23 year old native of
Sydney Mines, has been step dancing
ever since she can remember. She
started studying traditional Cape
Breton fiddling at age six and at
age nine she began taking lessons in
Cape Breton piano accompaniment.
Kimberley now enjoys teaching
fiddle, step dancing, and piano
privately at home as well as at
various workshops. Kimberley has
been a featured performer in Spirit
of the Island at the Louisbourg
Playhouse in 1998, 1999, and 2000.
During the 2000 Celtic Colours
International Festival, Kimberley
was presented with the annual Tic
Butler Memorial Award for
significant contribution to Cape
Breton culture. Later that year, she
released her debut CD entitled,
Heart Behind the Bow. In 2002,
Kimberley appeared in Cape Breton
singer Aselin Debison's TV Special
Sweet is the Melody which aired on
CBC in Canada and PBS in the United
States.
Kimberley is equally in demand for
her piano skills. In 2003, she was
the accompanist for Cape Breton
fiddler Glenn Graham on his tour of
British Columbia, and toured Sweden
with Cherish The Ladies in May 2004.
In August 2005 she performed at
Tønder Festival in Denmark.
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Listen |
Brenda Stubbert
Brenda was raised in Point Aconi, a
small Cape Breton fishing and mining
community a few miles from North Sydney
and Sydney Mines. The Northside is known
for its rich musical traditions and the
Stubbert household had regular musical
visitors including fiddlers Winston
Fitzgerald, Johnny Wilmot, Joe Confiant
and many others.
Brenda grew up surrounded by music and
by the time she was five she was dancing
and playing the piano. A short while
later, about age eight, she started on
the fiddle, an instrument her father,
brothers and uncles all played. Her
father, Robert, could be described as an
Irish player while her uncle Lauchie
played and composed with a Scottish
style.
Although strongly influenced by her
family's music, Brenda's style borrows
elements from all the great players she
has associated with. Her sound is full
of trills and other embellishments, yet
remains both lively and relaxed. |
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Shelley Campbell
bio coming soon.
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Instructors For Week 2 - July 14th - July 18th 2008 |
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Jerry Holland
Jerry Holland is a fiddler strongly rooted in Cape Breton, Scottish and Irish dance music traditions. An active performer and recording artist, many of his own tunes have entered the traditional repertoire around the world. His tunes, books and recordings have remained influential wherever Celtic music is played. He has taken his music to many parts of the world. Those places include Denmark, Sweden, Norway, Ireland, Scotland, Finland, Germany, Mexico, England, France, USA, Nova Scotia, Newfoundland, British Columbia, Saskatchewan, PEI, New Brunswick, Quebec, Alberta, Ontario and NWT. Jerry has devoted his energies to the music life of Cape Breton Island. He is an emotional performer; his concerts and recordings are always memorable. We are thrilled to welcome Jerry back to the Ceilidh Trail School of Music!
www.jerryholland.com
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Andrea Beaton
One of Cape Breton's most promising young fiddlers, Andrea Beaton comes by her music honestly. Listen to her play, the power of her bow, the drive and swing of her timing, the crispness of her attack. She's making a name for herself in dance halls, concerts, ceilidhs, and festivals. Like the compelling tradition she represents, her reputation is growing, spreading beyond the island. Andrea Beaton seems destined for great things.
She's the youngest of generations of Beaton musicians. Her father, Kinnon, is one of today's most influential Cape Breton fiddlers, and you can hear some of his timing in Andrea's playing. Her mother, Betty Beaton, is one of the great piano accompanists of her generation, contributing to that remarkable Beaton timing.
Her paternal grandfather, Donald Angus Beaton, was one of the strongest and most popular players of his generation, and you can hear some of his power in her playing. Her paternal grandmother, Elizabeth Beaton, is a strongly rhythmic piano player, with a great love of the music.
And so it goes, back and across the generations. Cape Breton is an extraordinarily musical place, and Andrea is increasingly in the forefront of her generation. Her music is at once her own and deeply rooted in the tradition associated with the Mabou Coal Mines. And, like her father and grandfather, she is a composer in the tradition, adding fine new music to the island's repertoire.
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Kendra Mac Gillivray
For over twenty years, Kendra MacGillivray has brought fiddle music to life with her incredibly energetic performances with the fiddle. As a former Highland dancer, Kendra aims to make her fiddling lively and danceable with upbeat jigs, polkas and hornpipes, beautiful swaying waltzes and slow airs or selections of rhythmic strathspeys and reels that build in speed and intensity. She’s even been known to make a few steps while fiddling at the same time in high heels!
Kendra has been teaching Celtic Fiddle Lessons for sixteen years - She started teaching group and private lessons, on a weekly basis, in her hometown of Antigonish, NS, then private lessons at the Maritime Conservatory of Performing Arts in Halifax, NS and now she is teaching privates in Charlottetown, Prince Edward Island. She has given numerous workshops and master classes to students of all ages and levels all over Canada.
Kendra teaches many different types of tunes - slow airs, marches, strathspeys, reels, clogs, hornpipes and jigs. In private lessons, she teaches tunes suitable to each student based on their level and what they want to learn. She also educates her students on the composers and history of the music along with teaching them to play the instrument.
Kendra teaches tunes mostly from the Scottish and Cape Breton repertoire. Most tunes are very old traditional melodies and compositions of Scotland fiddlers such as James Scott Skinner and Niel Gow. Other tunes are more contemporary compositions by Cape Breton fiddlers such as Brenda Stubbert, Jerry Holland as well as her own compositions.
Kendra also studied Classical violin with Bob Murray, Classical piano with Sr. Rodriquez Steele and Highland dancing with Janice MacQuarrie, all from Antigonish.
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Dwayne Cote
Dwayne Cote was born on November 20,
1969 and grew up in Grande Greve,
Richmond County in Nova Scotia. His
mother Gladys Stone Cote, who continues
to reside in Grand Greve, was a renowned
dancer, instructor and performer in the
Maritimes in the '70's and mid-
eighties. His father is the late
Gordon Cote, a celebrated Celtic fiddler
who in recent years performed with Bobby
Brown and The Cape Breton Symphony.
Dwayne has been performing since the age
of four, entertaining audiences with his
guitar and violin skills. His first
professional debut was at the age of
twelve, as a guest soloist with The Cape
Breton Fiddlers Association at the
Rebecca Cohn in Halifax, Nova Scotia,
Canada.
At the age of fourteen, he performed
with a musical group of young
individuals, " The New Generation." This
group of twelve focused on Celtic music
and other members of the group included,
Natalie Mac Master and Lucy Mac Neil of
the Barra Mac Neil's. This group played
before the Pope in 1985 to critical
acclaim.
During the late Eighties and early Nineties, he performed on television and radio with such celebrated performers as John Allan Cameron, Graham Townsend, Jerry Holland and Dave MacIsaac, to name just a few.
His international musical performances
included guest appearances at the
university of Cork in Ireland, The
Juhmarah Resort in Dubai in the United
Arab Emirates and many cities in the
United States. He includes as his major
influences Angus Chishom and Winston
Scotty Fitzgerald. Both would be proud
of the way he brings their music to life
and you feel like they are in the room
with you when you hear him play
accompanied by Maybelle Chisholm Doyle,
Angus Chisholm's niece.
Dwayne Cote is deemed to be one of the
most unique violinists and fiddlers in
Atlantic Canada. He uses a distinct
classical tone, that he has developed
through Professional exposure and his
own initiative through self-education.
In short his musical tones are
inimitable and seldom forgotten. |
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